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Engaging with Contemporary Visual Arts In France (QAA 1,2,3,4,5,6,7)

Objective:

  • To provide students with opportunities for authentic problem enquiry and response.
  • To provide students with opportunities to be innovative and creative.
  • To provide students with opportunities to take risks, and take actions.
  • To provide students with opportunities for true collaboration.

Introduction:

This module is an optional unit run over two semesters by Amanda Crawley-Jackson at the University of Sheffield for third year students studying French.

Students critically analyse the work and key themes of contemporary visual artists in France. They then work in groups to design their own virtual 3D artexhibitions, as well as an accompanying portfolio containing learning materials for visitors written in French. Students have the chance to interact withFrench artists and exhibition curators to help them to design their exhibitions. The students critique the work of other groups, and peer assess the final outcomes.

Activity:

  • Authentic problem enquiry and response: Students are given an 'authentic' challenge – to design an exhibition to best represent the work of contemporary artists in France. They experience the challenges of working with constraints, by learning about practical issues such as insurance, public liability, access, budgets and so on. They also have to learn to use software which may be unfamiliar to them to present their final exhibition
  • Innovation and Creativity: Students are challenged to design an exhibition which is innovative and attractive to visitors, and one that stands out from those of the other groups.
  • Risk-taking: With this challenge, there is no 'right' answer. Students may design iterations of their exhibition that then receive poor feedback from the artists or curators. They have to learn from this feedback and continue to develop their ideas.
  • Taking action: Students work as self-directed groups, and have to show initiative in their interactions with others.
  • True collaboration: Students have the opportunity to interact with contemporary artists and exhibition curators, using French. Students have to make sure this interaction and communication is professional and productive. The students work in groups to a shared goal. The peer critique aspect of the module is also an important example of collaboration beyond group work.

Learner outcome:

Feedback from students included;

'I learnt a great deal about independent learning; I had to do my own research and at times I found this challenging, but I think it helped us to make bolder decisions'.

Resources:

More information can be found via the following link > http://www.sheffield.ac.uk/enterprise-education/resources/case-fre343

References:

Case Study: FRE343 Engaging with Contemporary Visual Arts in France - Resources - Enterprise Education - The University of Sheffield. 2015. [ONLINE] Available at: http://www.sheffield.ac.uk/enterprise-education/resources/case-fre343. [Accessed 30 July 2015].

Author:

With thanks to The University of Sheffield Enterprise Academy (USEA)

http://www.sheffield.ac.uk/enterprise-education

Author / Attribution

This guide was produced by Amanda Crawley-Jackson, Department of French, The University of Sheffield.